There are objects that speak quietly — not because they have nothing to say, but because they have already found balance.
Mirelle belongs to that rare category. A chair distilled to its essential gesture: a solid wood frame, proportions that feel inevitable, volumes that invite touch. Nothing more, nothing less.
Its structure traces a clear line — almost architectural — yet softened by the presence of its upholstered seat and backrest. The dialogue between the two defines its character: geometry and comfort, logic and warmth. The rhythm of the metal crossbars brings lightness, a subtle graphic tension that grounds the piece without weighing it down.
Mirelle recalls the rational language of the 1970s, when furniture was designed with the discipline of architecture and the honesty of craft. But here, that rigor is reinterpreted with gentleness — the corners rounded, the upholstery alive with texture, the materials chosen not for show, but for their ability to age beautifully.
It does not demand attention; it earns it, quietly.
Its beauty lies in precision — in the way every curve aligns, every junction breathes, every detail serves function and harmony.
Around a dining table or standing alone, Mirelle sits naturally within the Monography world — a landscape of form, silence, and proportion. It is the kind of design that disappears only to make the whole room feel right.
Made in solid wood. Upholstered in tactile fabrics of woven relief. Defined by measured lines and enduring weight.
Crafted in Italy, for those who understand that true presence doesn’t need to be loud.
Built to stay. Made in Italy.
